Vox et anima - Voice and Soul The music in Christian Hildebrandt's Latin settings does not directly depict the events described in the texts, but the feelings associated with them. And feelings mirror experiences - both those we have lived through ourselves, and those we sense through the lives of others. In music, those feelings can become present again. Perhaps that is what we call soul. Voice and soul - vox et anima. It carries a particular significance for me that the texts are in Latin. Latin is no longer anyone's everyday language, but in the Middle Ages it was Europe's common academic tongue - an instrument for preserving and transmitting thoughts across generations. The texts revolve around the fundamental conditions of human life: love, beauty, birth, community, hunger, loneliness, anxiety, suffering, death and hope - and through the music they become a lens that gives them new life.
Contents 4 Ave vera virginitas (1997/2024) - purification and hope 6 Oculi omnium (2005) - hunger, trust and fulfilment 19 Lux aeterna (2002/2014) - light, security and rest 25 Magnificat I (2003/2009) - the trembling of anticipation 29 Alma redemptoris mater (2004/2014) - helplessness, wonder and separation 40 Stabat mater (1994) - suffering, death and compassion 52 Adflictus sum (2001) - anxiety and solitude 55 Ubi caritas (2001) - love and community 60 Ego flos campi (2018/2024) - blossoming and beauty
Christian Hildebrandt (b. 1967) is a Danish composer with a particular focus on choral music. He has composed approximately 150 works, primarily for choir, solo instruments and small instrumental ensembles. His music draws on the European polyphonic tradition while maintaining a personal harmonic language. He is a founding member of the Danish composers' association Komvest and is also a high school teacher in mathematics, physics and music.
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